February « 2011 « mambo-admin.com



Casey Anthony: What about ‘Casey Town’?

Casey Anthony attended a hearing last month. Photo credit: Red Huber/Orlando Sentinel

Several readers have asked me about the term “Casey Town.” I wasn’t familiar with the expression until I saw it in a Sentinel story Friday night.

Here’s an explanation from my colleague Alan Schmadtke, who used the term in that story:

“First, my apologies that the origins of the Casey Town designation were not clear in Friday night’s story about the media area for the Casey Anthony trial. The term ‘Casey Town’ came out of a previous meeting media members had with court administrators about guidelines for trial coverage. (This trial will be handled much, much differently by the court than others that preceded it.)

“Casey Town” was an off-handed remark made by someone trying to explain to the local media what was being proposed for the undeveloped lot across the street from the courthouse. That is, an area for all the expected local and national news satellite trucks and an area for studio-type television broadcasts.

“It was not an attempt to aggrandize Casey Anthony. It was simply an off-the-cuff term coined about that piece of property. As some readers know, the other team that has been used is ‘Camp Casey’ — because the media will be camping out over there.”

How often will you see the term “Casey Town” or “Camp Casey”? I have no idea, but they do sound flip for the circumstances. Anthony is charged with first-degree murder in the death of her daughter, Caylee.

In Anthony news today, WESH-Channel 2 reported at noon that the state will not use video of Anthony’s reaction in jail to the discovery of a child’s remains.  The tape was made Dec. 11, 2008, and the remains were later identified as Caylee.  “According to the corrections officers, Anthony had an extreme emotional reaction, even doubled over,” WESH’s Bob Kealing said. “The breaking news this afternoon is that the prosecutors in the case against Casey say they will not use this very controversial jail video.”

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Reading Round-Up, 2/27/2011

• Guest-blogging for James Fallows last week, Jeremiah Jenne devoted several of his posts to discussions of protests and the possibility of a “Jasmine Revolution” in China. His columns on this topic include “China: Not Quite a Revolution,” “After Protests, Beijing Cracks Down,” and “In China, Droughts Bring the Crazy.” Jenne also provided on-the-spot reporting today from Wangfujing in Beijing, the site of a planned protest that was primarily attended by security forces and foreign journalists.

• Tom Lasseter of McClatchy Newspapers writes at his “China Rises” blog of the juxtaposition of the crackdown on protests with the message of an online forum held Sunday morning by Wen Jiabao:

Chinese Premier Wen Jiabao on Sunday held an online forum in which he promised to focus on making the lives of ordinary people in China more comfortable and secure.

Just a few hours later, thousands of Chinese police deployed in Beijing, Shanghai and other cities to clamp down on public gatherings after a second week of overseas Internet-based calls for protests across the country.

The combination of Wen’s comments about government efforts to raise living standards, accompanied by a display of China’s police state tactics aimed at squelching dissent, neatly laid out in one day’s time the Chinese Communist Party’s approach toward avoiding the kind of unrest seen across the Arab world.

In the morning, Wen pushed the official position of more stability and prosperity through one party rule. And in the afternoon, security personnel swarmed public spaces to be sure nobody suggested otherwise.

• In the wake of Best Buy’s announcement that it has shuttered its branded stores in China, Adam Minter of Shanghai Scrap takes a look at what went wrong.

• At Miller-McCune, Jeff Wasserstrom writes about “Media and Revolution 2.0: From Tiananmen to Tahrir”:

Have the latest advances in communication technology radically altered the fundamental dynamics of struggles for change in authoritarian settings? Or have cell phones and social media merely brought about small shifts in the dynamics of revolution? Is the Web a godsend to those trapped in oppressive states, as Nobel Laureate Liu Xiaobo suggests in his essay “The Internet is God’s Gift to China”? Or does this thinking give in to a form of “cyber-utopianism” that glosses over the potential of new media to be used by autocrats, their propaganda ministries and security forces to massage public opinion, keep tabs on dissidents and ensure that populations stay docile and distracted, as Evgeny Morozov argues in The Net Delusion: The Dark Side of Internet Freedom?

• Maura Cunningham reviews Pallavi Aiyar’s new novel, Chinese Whiskers, at the Asian Review of Books.

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Oscar Sunday: Remembering John Wayne, Bette Davis, David Niven

Henry Fonda finally won an Oscar when he acted with Katharine Hepburn in "On Golden Pond." Handout art

Year after year, the Academy Awards may be among the most ridiculed programs. Yet the telecast’s allure ultimately rests in the emotional moments.

If you have a bond with the performers, you can slog through the hours, the silliness and the bombast. My favorite moments happen when a veteran performer finally collects the big prize. I rooted for John Wayne, Henry Fonda, Shirley MacLaine, Susan Sarandon and Jeff Bridges.

The honorary Oscars — which no longer air in the main show — were incredibly poignant when Barbara Stanwyck, Kirk Douglas and Deborah Kerr were recognized.

Any good Oscar show needs memorable moments. It can be John Wayne standing tall as he makes his final appearance. Or David Niven quipping after a streaker races by. Or Bette Davis messing up the presentation of a best actor Oscar. Davis was old and feeble in that appearance, yet she was still wonderfully cantankerous. And she didn’t hide the ravages of illness.

Good acceptance speeches are a must. The best? Best actress winner Louise Fletcher communicating through sign language. What’s your choice? 

I think this year’s Oscar telecast could mean more than usual because viewers have bonds with the actors — often thanks to television. Colin Firth won legions of admirers for the miniseries “Pride & Prejudice.” James Franco enjoyed career boosts through  “Freaks and Geeks” and the TV movie “James Dean.”  Melissa Leo logged four years on “Homicide: Life on the Street.”

Longevity matters even if you’re young. Christian Bale and Natalie Portman dazzled as child actors.

This year’s nominees don’t have the kind of connection that John Wayne and Henry Fonda had with an audience. The movie business has changed, and studios don’t groom stars the way they used to.

But the connections still matter, because they offer a reason to care. The hoopla, the predictions and the fashions fade, but the emotional moments still pack a punch.

What are your favorite Oscar moments?

The Academy Awards start at 8:30 tonight on ABC (WFTV-Channel 9 locally).

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‘This Week’ offers Christiane Amanpour in Libya, governors on budget crises

Jake Tapper will moderate a discussion with four governors on "This Week." Photo credit: Randy Sager/ABC

What’s on ABC’s “This Week” this weekend?

We found out late today, and it’s an ambitious agenda. The Sunday morning program will offer Christiane Amanpour reporting from Libya.

The program also will feature a panel discussion, hosted by Jake Tapper, on “The State of the States.”

Tapper will talk to four governors: Jan Brewer, R-Arizona; Deval Patrick, D-Mass.; John Hickenlooper, D-Colo.; and Nikki Haley, R-S.C. ABC News said it is Brewer’s first interview since the shootings in Arizona. The governors will discuss the federal and state budget crises.

“This Week” airs at 11 a.m. Sunday on WFTV-Channel 9.

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‘Dancing With the Stars’: Will Elin Nordegren do the show?

Elin Nordegren and Tiger Woods attended the NBA Finals in Orlando in 2009. Photo credit: Hans Deryk/Reuters

The next cast of “Dancing With the Stars” will be unveiled during Monday’s edition of “The Bachelor.”

The closer we get to that day, the more speculation you’re going to hear about the cast.

“Extra” is speculating that Elin Nordegren, ex-wife of Tiger Woods, is in talks for the ABC dance contest. “Extra” showed footage of Nordegren pulling her own luggage through LAX.

“Dancing” alum Holly Madison, who works for “Extra,” said she would love to see Nordegren on the show.

Do you agree?

“Dancing With the Stars” is the most popular show on Disney-owned ABC. It starts a new season March 21, and the network could use the show’s strong ratings. “The Bachelor” airs at 8 p.m. Monday on WFTV-Channel 9.

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Casey Anthony: WKMG explores Dr. G deposition

Dr. Jan Garavaglia announces that Caylee Anthony's remains have been found in December 2008. Photo credit: Red Huber/Orlando Sentinel

WKMG-Channel 6 promised a major report with new information in the Casey Anthony case, and Tony Pipitone delivered tonight when he explored Dr. Jan Garavaglia’s deposition from Sept. 28.

That day the Orange-Osceola chief medical examiner defended her opinion that Caylee Anthony’s death had been a homicide. Casey Anthony is charged with first-degree murder in daughter Caylee’s death. Pipitone presented his report as a preview of arguments that could be raised at the trial in May.

Pipitone highlighted these moments from the Garavaglia deposition:

***Defense attorney Cheney Mason asked, “Suppose this child drowned in the family swimming pool?” Garavaglia discounted that notion. From her experience, she said that caretakers report when children drown because the adults want the youngsters to survive. Casey Anthony did not report her child was missing.

***Garavaglia, the star of “Dr. G: Medical Examiner,” defended her homicide ruling by pointing to circumstances. The child “is found in a plastic bag, in a laundry bag, dumped in a field to rot with duct tape in the vicinity of the lower mandible,” she said.

***Assistant State Attorney Jeff Ashton asked what the effect of the duct tape on a living Caylee would be if the tape covered her mouth and nose.  ”I guess it could have suffocated her,” Garavaglia said. But the medical examiner also said, “I believe the tape indicates that there is foul play. I cannot say for certain whether that tape caused a suffocation.”

***Mason returned to the possibility of drowning. Garavaglia replied that she had never seen a drowning with duct tape on the lower half of the face. “There’s no reason why a child that’s drowned is put in a plastic bag and dumped on the side of the road,” Garavagalia said.  

WKMG said that Pipitone, in preparing the report, reviewed hundreds of pages of depositions that hadn’t been released. “Information no other news organization has obtained,” Pipitone said. He said the state, defense and Garavaglia declined to comment on his reporting.

Pipitone will have more at 11 p.m. Friday, when he will report on what another key witness has said under oath. The news there: The defense says that deposition suggests evidence may have been staged.

Who could that witness be? A promo to that report prominently featured Roy Kronk, the meter reader who found Caylee’s remains.

With fanfare, WKMG promoted tonight’s report through the day. During the newscast, the report was billed “Tony Pipitone Exclusive,” and the camera even followed Pipitone on his way to the set to deliver the report. It was a good report that didn’t need that hoopla.

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‘America’s Got Talent’ announces stops; sorry, we’re not one

Piers Morgan has a CNN show, but he's still a judge on "America's Got Talent." Photo credit: Alberto E. Rodriguez/Getty Images

Which cities will “America’s Got Talent” visit this year in looking for talent?

NBC announced the lineup today, and Orlando isn’t one of the stops. Rather, “Talent” will start with Seattle on March 2 and 3.

The other stops: Los Angeles (March 9-10), Minneapolis (March 23-24), New York (March 31-April 1), Atlanta (April 12-14) and Houston (April 19-20).

Making it to every city will be host Nick Cannon and celebrity judges Sharon Osbourne, Piers Morgan and Howie Mandel.

The judges will decide which acts move on to Las Vegas for the show next summer on WESH-Channel 2.

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Oscars: How will Anne Hathaway and James Franco do?

I have high hopes for Anne Hathaway and James Franco as the Oscar hosts Sunday night. Does a comedian always have to host? I don’t think so.

The promotional buildup has included “Oscars Boot Camp,” where the young hosts have been training. Take a look.

How will Franco and Hathaway do? Tells us what you think.

The Oscars start at 8:30 p.m. Sunday on ABC (WFTV-Channel 9 locally).

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On the Joys of Online Book Shopping

By Maggie Greene

In the fall of 2010, I advanced to candidacy at the University of California, San Diego, and bearing the new title of PhD candidate in modern Chinese history, I set off for that great and time-honored pilgrimage to the People’s Republic of China to start researching my dissertation. I’ve been here four months, and while the process of researching Chinese opera (particularly kun opera and ghost plays) in the PRC has not been as smooth as I would have hoped, there is one thing that’s been going swimmingly: book shopping. More precisely, shopping online for books related to my dissertation.

There are numerous sites out there dedicated to selling books: in the PRC, Dang Dang ships internationally and has a wide variety. My perennial favorite (both for their brick and mortar stores and online selection) is the Taiwanese chain Eslite (they also ship internationally, with reasonable shipping rates to boot). But for someone on the hunt for books and materials beyond recent publications, there is the holy grail of Chinese book websites: Kong fuzi, the Chinese portal for thousands of individual bookstores and countless titles, both recent and antique. And, unlike many other sites, it’s one that can really only be used while one is in China.

For a bibliophile like myself, who likes to own every bit of material related to my research that I can get my hands on, book shopping in China can be an unparalleled paradise. I was first introduced to the wonders of kongfz.com in 2009 by a classmate, who kindly offered to pick up some purchases for me when she returned home to Guilin. My spoils from that first foray included a 1960s practice edition of Li Huiniang used by the Northern Kun Opera Troupe in the first performance of the opera—mimeographed, torn cover, printed on appallingly bad paper (that I now realize is standard issue for mimeographed anything from 1950s and 1960s China), and with old school brads holding the whole thing together (and adding nice rust stains on the cover). I think I paid a whopping 20 RMB for it (about $3 USD). I was hooked—it was like the Chinese Alibris, but cheaper!

Although I had said I’d be in a buying frenzy as soon as my feet hit Shanghainese earth on this research trip, it actually took me a couple of months before I got around to mining the wonderful treasure trove I had been introduced to. While I mentioned the site to a number of friends, general skittishness about dealing with the Chinese banking system and other pressing concerns put book shopping on the back burner until this month.

“Buying books online, is this not a good thing?”: Shopping with Kong fuzi
As mentioned above, kongfz.com can really only be used while you’re in China. There are a couple of reasons for this: first, you buy from individual sellers and there’s no site-wide policy of international shipping. While I suppose it would be possible to contact every seller to ask if they would be willing to ship internationally, the bigger problem is method of payment. Your foreign credit or debit card is of no use on Kong fuzi. All sellers are set up to take forms of online payment (each of which rely on having a Chinese internet banking account) and/or the “traditional” method of depositing directly into the seller’s bank account by getting yourself to the bank with carefully filled out deposit slip and cash in hand. If you’re stuck in the States and drooling over volumes you can’t buy, I suggest asking a friend in China to help you out!

On banking: as anyone who has ever been to a Chinese bank can probably attest, “slow” sometimes doesn’t even begin to describe it. The last time I had to go to ICBC (one of the major Chinese banks that every seller seems to have an account with), I drew number 244—unfortunately for me, they were only on number 190. Which is to say, if you’re going to be buying more than the odd volume here or there, it makes sense to set up online banking. I discovered early on that having to go from bank to bank with deposit slips for ten different sellers got tedious very quickly.

Getting a bank account set up is surprisingly easy, and at ICBC, all you need is your passport and a 100 RMB note. There is a great post on Black Dragon Café on how to open an ICBC online bank account that walks you through the process. [Fair warning to those who use Macs: ICBC software (like a lot of things in China) is only compatible with Windows and IE, and you must use the proprietary software to actually buy things online. I browse and buy on my Mac, and use my little Windows netbook for actually sending payment.] When you finally walk out of the bank, you’ll be in possession of a debit card, a bank register that you’ll use if you need to do anything at the bank with your account, and a little USB key you’ll plug in and use when sending payment.

After registering for an account on kongfz.com, you’re ready to start browsing. I have a couple of different search strings I run somewhat regularly, just to see if anything new has been added. Coming up with a several different keywords that describe your topic will help maximize the useful books that pop up (e.g., if you are looking for specific years, this includes searching for 1961 and 61)—while I’ve generally found sellers to be pretty thorough and precise, occasionally things do slip through the cracks. An example would be a 1960s edition of Li Huiniang I purchased—the seller misread the last character, so it was listed as Li Huigen; I found it while doing a search for kunqu instead.

Sorting by price and publication date helps you wade through results. An author I study (Meng Chao) unfortunately shares part of a name with a doctor who has published prolifically (Wu Mengchao)—the sorting options let me bypass 500 volumes unrelated to my Meng Chao. When you’re ready to buy, you wait for the seller to confirm and send payment information (if you have your online banking account ready to go, the process is really easy—if not, you’ll need to take note of what bank and account number to submit payment to in person). If given the option of shipping speeds, I usually select registered mail (which is cheaper than express, but faster than “regular” mail). This generally adds between 4 and 8 RMB (around $1 or less) to your total—I’ve found things show up three or four days after the seller confirms they’ve shipped the item, and sometimes faster!

The treasures of Kong fuzi
Offerings on Kong fuzi run the gamut from old letters to recently published secondary sources. When I finally started poking through the offerings from bookstores all over China, I had a hard time reining myself in. Everything was fair game—old journals? Check. Old practice editions used by Chinese opera troupes in the 1950s and 1960s, like that very first one I had bought? Absolutely. Picture book editions (lianhuanhua) of classic plays? Well, I have been looking to start a book collection of some type for a while ….  Even less thrilling finds were still exciting. Secondary sources I’d found useful for 8RMB including shipping ($1), books I didn’t even know existed (the collected poems of a 17th century woman poet I adore).

Not everything comes cheap. As a PRC historian, I’m lucky that many of my sources are widely available and inexpensive; however, books and journals from the Republican period (and earlier) tend to have much higher price tags than post-1949 offerings. I was excited to discover a number of 1940s journals I’d been looking for, until I noticed the price—1500 RMB each (over $200). By comparison, I purchased a beautifully bound set of Xiju bao from 1955 to 1959 (nearly 100 individual issues in total) for 1000 RMB ($150)—and individual issues of the same magazine can be had for as little as 8 RMB, or just over $1.

So, what can you get—and what will it cost you? Obviously, a lot depends on condition and rarity: you can have a field day comparison shopping with editions that are widely available, while you may find yourself paying more than you expected for an edition that is in good shape and only has one copy listed on the site. Here are a few examples of my recent purchases:

• A four volume Peiwen yunfu, 1980s edition (a Qing dynasty rhyming dictionary): 750 RMB ($114) and a specialized two volume dictionary for poetry and drama, 1970s edition: 40 RMB ($6). I narrowly missed scoring the former for 350 RMB ($53), but all the other editions were 1000 RMB and up—all the way up, in fact, to an early 18th century version for 450,000 RMB ($68,400).

• A collection of essays related to a kunqu conference, 1957: 110 RMB ($16), reminiscences of kunqu artists, 1961: 100 RMB ($15), and a script/musical score used by the Jiangsu Su-Kun Troupe, 1962: 60 RMB ($9)

• A complete set of Xiju bao, 1955-1959, with library quality binding: 1000 RMB ($150) and Xiju bao, 1960 (January-June), with binding that has seen better days: 100 RMB ($15). These two illustrate neatly the wide variety of condition materials can be in; while I could have put together the 1950s magazines for cheaper by purchasing individual years, the very nice binding was worth the extra money for me. As a bit of a cautionary tale, the 1960 Xiju bao has been my only disappointing purchase to date. The seller had it listed as a complete year (months ? 1-12), when in fact it is only half a year (numbers ? 1-12). Kong fuzi does let you ask questions of sellers, and you can also complain (or leave feedback) describing any issues after receiving the items—I didn’t do that here, as I felt it was my own fault for not checking more closely and suspected it was an honest mistake on the part of the seller (and it wasn’t a very expensive error for me), but it is something to be aware of.

• A collection of materials related to the “Li Huiniang problem,” 1966: 95 RMB ($14) and a collection of materials related to Hai Rui baguan, Xie Yaohuan, and Li Huiniang, 1966: 10 RMB ($1.50). The latter is in somewhat battered condition (and there were a few copies available), while the former is pristine and the only one I saw on the site.

Li Huiniang picture books, two from the early 1980s (10-35 RMB, $1.50 -$5), one from 2009 (20 RMB, $3).

• Modern volumes published in the last 15 years, 22-30 RMB ($3-$4.50). “Why not just go to a bookstore?” you may ask. Well, these were books I knew existed, but could not find when I went to look at brick and mortar stores on Fuzhou lu. Prices on Kong fuzi also tend to be cheaper (sometimes as much as half off) than list price for recently published books, even in brand new condition (as two of these were).

On the joys of book shopping and doing research with your bank account in tow
My packages arrive every day—usually little ones, but sometimes big ones. Recently, my beautiful set of Xiju bao arrived in a very large (and very heavy) box. A Chinese friend asked me why I bothered buying the magazines, since I could just walk to the Shanghai Library and use theirs. Despite the availability of the magazine in libraries (both here and back in the US) and online, I find there is something so useful about flipping through hard copies of journals and newspapers. Our databases make it easy to find every occurrence of a search term with a few keystrokes. But it’s so hard to replicate the experience of simply paging through a source and seeing what leaps out when one is dealing in links and PDFs, and I’m thrilled to have my very own copies now.

A lot has changed since my advisors were doing their dissertation research. The fact that we now have access to libraries and archives in the PRC is something that was only a pipe dream for a few decades. Fantastic online databases mean we can access journals, books, and newspapers from the late Qing on (and, in some cases, things much older than that). But I can’t help thinking that one of the coolest things, and certainly quite different, is the fact that I can hop online, type in a few search terms, and get kicked back a list of potential sources—sources that I can buy with my trusty USB key card from ICBC, and that will arrive at my house in a few days, carried by my harried post person (who still screams out my Chinese name at the top of her lungs upon arriving). In the past few days, things have shown up on my doorstep that I didn’t even know existed before I found them on the world’s best second hand book website.

I always sit down with my new-to-me books, look through their sometimes crisp, often battered pages, and write my name and date of acquisition on the inside cover. It’s an insipid ritual, but there is something that is so wonderful about handling these bits of history (even if I, as a PRC historian, only handle things that are at most 60 years old). I’ve always liked the Japanese historian E.H. Norman’s description of the pleasures of the historian (as related by John Dower in Origins of the Modern Japanese State: Selected Writings of E.H. Norman):

On the most simple and intimate level, he spoke (in “History: Its Uses and Pleasure”) of “the magical pleasure that the reading of history can give”—the realization that there is no last word on any given subject; the recognition that when written by the greats, history has the pathos of a Greek tragedy; the dimensions of irony, mystery and poetry; and this: “that peculiar pleasure of reading in the calm of one’s study of turbulent events, of great triumphs and failures or simply of the everyday life of people in bygone ages. To cast one’s mind into the past and to have described vividly for one the passions and ambitions, the hopes and disappointments not only of great men, but of people like ourselves, is to feel an intimation of man’s immortal spirit. (5)

… and can’t help thinking that it’s all the more delightful when kicking back with an aged book that has somehow survived long enough to fall into my hands—here, now, in 2011—all thanks to the wonder that is online book shopping.

Maggie Greene is a PhD candidate in modern Chinese history at UC San Diego; her research interests include classical opera after 1949 and contemporary digital gaming culture in the PRC. An earlier version of this post appeared at her own website.

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Casey Anthony: What does prosecution-defense animosity do to case?

Jose Baez, left, and Cheney Mason, center, confer with Jeff Ashton at a September hearing. Photo credit: Jeff Burbank/Orlando Sentinel

WESH-Channel 2 tonight explored what animosity between prosecutors and defense attorneys could mean to the Casey Anthony case.

Reporter Bob Kealing described Jeff Ashton’s motion this week against Anthony attorney Jose Baez as an unusual hard line.

“I’ve never seen a prosecutor move to hold a defense attorney in contempt, or any attorney move to hold somebody else in contempt,  over something which is relatively minor,” said Orlando attorney Richard Hornsby, who offers analysis for WESH.

In the motion, Ashton highlighted that Baez failed to make a court-ordered Feb. 17 deadline to list objections the defense will raise about scientific evidence at March hearings. Baez has said he was confused about the matter. 

What could the bickering mean in the long run? Maybe we’ll see an especially dramatic trial.

Baez hasn’t responded to Ashton’s motion, and WESH couldn’t reach Ashton for comment. But Kealing said the animosity forces Judge Belvin Perry to play referee and divert his attention from more important matters.

But, of course, both judges in this case have had to play referee. 

Hornsby predicted that Perry would be frustrated by the sparring. Hornsby also added that the tensions lessen any chance of a pre-trial plea deal.

Such a deal, though, has never seemed likely in this case. What do you think?

Anthony is charged with first-degree murder in the death of her daughter, Caylee. The trial is scheduled to begin in May.

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